AN INCOMPARABLE ARTIST'S GOLDEN BRUSH SHOCKING THE WORLD - Western Painting BY H. H. DORJE CHANGE BUDDHA III (Master Wan Ko Yee)

 

"A Hidden Wonderland" by H.H. Dorje Chang Buddha III (Master Wan Ko Yee)

As soon as you set your eyes on the “supernatural abstract colors” created by H.H. Dorje Chang Buddha III Wan Ko Yeshe Norbu Holiest Tathagata, you will find the bright and dazzling red, yellow, blue, white and black colors leaping and dancing, vigorous like billows sluicing over thousands of miles, yet stored up into wonders at the fine tip of a brush. Gentle yet resolute, they freely transcend worldliness. Various spectacular colors are mixed ingeniously to compliment one another. One can say they express superb craftsmanship excelling nature and depict forms that are flexible and elusive. Words cannot describe the harmonious, refined, and soothing air these colors convey. “Supernatural abstract colors” compose a perfect world of colors. This world does not have any concrete mundane forms but uses colors alone to form shapes and express feelings. Charming colors that touch people’s hearts constitute the shape and theme of this world. Through the mastery of H.H. Dorje Chang Buddha III (Master Wan Ko Yee), these colors converge into incredibly, marvelous and bright magic, expressing themes such as the vivid spirit of a flowery scene or the vigor of the roaring sea. Yet, “supernatural abstract colors” can be ever so exact as they appear from the tip of His Holiness’s brush. Their fine details are often revealed among rough strokes, and their charm is naturally displayed. This description of the exceptional skills H.H. Dorje Chang Buddha III (Master Wan Ko Yee) possesses in the field of western paintings is actually inappropriate since His Holiness has the realization of a Buddha. H.H. Dorje Chang Buddha III  (Master Wan Ko Yee) is able to take auspicious mist from the air, place it inside a sculpture, and make it stay there without dissipating. With such an ability, wouldn’t painting be an extremely easy thing for His Holiness? Thus, His Holiness can create captivatingly beautiful paintings such as these. 

These works of art are fused with the essence of the universe, nature, and the earth. It is an understatement to label His Holiness’s art of “supernatural abstract colors” with words such as “style,” “conception,” “charm,” or “technique.” The art of H.H. Dorje Chang Buddha III  (Master Wan Ko Yee) has already cast off the bondage of the common world. The forms, meanings, and colors of this form of art can be compared to a golden dragon breaking away from the earth’s crust and soaring in the azure sky above the blue sea, free at will, unbridled and unrestrained, all worldly dust whisked away, ever changing, and beautiful beyond compare! 

In front of these soul-inspiring rare treasures of art, we admire the exceptional artistry that flows from the boundless heart of H.H. Wan Ko Yeshe Norbu Holiest Tathagata  (Master Wan Ko Yee). We absorb beauty that transcends all confinements of reality, beauty created from His Holiness’s use of ever changing colors for the appreciation of mankind. We can only rejoice with excitement from our hearts, for words of wholehearted praise seem totally inadequate. Works by H.H. Dorje Chang Buddha III  (Master Wan Ko Yee) embody the wonderful essence of the craftsmanship vidya and flow from His Holiness’s supreme and perfect wisdom. We can see this in the phenomenal attainments of H.H. Wan Ko Yeshe Norbu Holiest Tathagata in western painting. An example of this is the oil painting called “Dharma King Sakyamuni,” which is peerless in the majestic, solemn, and dignified air it conveys. One can see from that painting that His Holiness truly is a Buddha. 

“Dharma King Sakyamuni” by H.H. Dorje Chang Buddha III (Master Wan Ko Yee)

On its surface, the "Spirit of Resonance will Live Forever" is an impressionist painting. Large clusters of color manifest subtle changes. Standing near the painting, one sees clusters of colors painted on a flat surface. Standing far away from the painting, the effect one sees changes to that of a three-dimensional sculpture. What is amazing is that without wearing three-dimensional glasses, one can still very clearly see a three-dimensional effect.

The theme of this painting resembles seeing Mars through a telescope. The artistic clusters of yellow, red, black, and blue seem to have been created through the process of natural planetary erosion over millions of centuries. These colors exist in motion; they are constantly changing and transforming. in short, this painting will bring delight to those who view it. 

"Spirit of Resonance will Live Forever" by H.H. Dorje Chang Buddha III (Master Wan Ko Yee)

On the darkest of nights, the sudden inspiration for this painting "Fragrant Loofah in a Purple-Bamboo Forest" flashed into the artist's (H.H. Dorje Chang Buddha III, Master Wan Ko Yee) consciousness, giving birth to the artistic charm and allure embodied in this work. The rhythm of color galloped across the canvas as soon as the flying brush strokes were completed.

Moonlight reveals green loofah on branches in the endlessly intriguing purple-bamboo forest. The loofah and purple-bamboo form a delightful contrast. The vastness of the night conveys the work's artistic sentiments.

This painting appears to be simple. Its brushwork, however, reflects extraordinary experience and maturity, evoking the paintings of sunflowers by Van Gogh. Although the colors are simple, they reveal a boundless artistic spirit. How could the elegance of such fragrant loofah in a purple-bamboo forest not live on forever?

"Fragrant Loofah in a Purple-Bamboo Forest" by H.H. Dorje Chang Buddha III (Master Wan Ko Yee)

The painting of "Heavenly Treasure in Motion" belongs to the "Weiyin" style. The bodily applied colors are bright yet sedate. They convey a strong sense of rhythm and motion, like planets revolving and rotating in the universe. Although the layout is static and unchanging, one is left with the impression that transformations are constantly occurring, producing objects of various forms, such as dragons, phoenixes, water, and fire. The blending of light and darkness creates an interesting scene, Any part of this painting, when enlarged in isolation, is a beautiful work in and of itself.

The style and quality of this painting by H.H. Dorje Chang Buddha III (Master Wan Ko Yee) seem to have originated from a palace of immortals or a heavenly abode. Thus, this painting is titled "Heavenly Treasure in Motion."

"Heavenly Treasure in Motion" by H.H. Dorje Chang Buddha III (Master Wan Ko Yee) 

The colors of the painting "Seen at Yellowstone National Park" are graceful and natural, resembling traces left behind by the vicissitudes of nature. The charm and allure of the beautiful color contrast are born from the painting's sense of motion. Lovely colors of pearl, emerald, agate, coral, aged jade, earthen yellow, beeswax, and giant clamshell join together in harmony. The effect of this painting can be easily summarized: This natural combination of colors brings about the enjoyment of aesthetic pleasure.

"Seen at Yellowstone National Park" by H.H. Dorje Chang Buddha III (Master Wan Ko Yee) 

In the art of painting, the most important factors are the interactions among colors and the arrangement of space and substance. Artists use colors to reveal space, and space to bring out colors. The colors used should not be showy or inelegant. As for the emotional sentiments that a painting conveys, it seems that perspectives vary from one person to the next. Everyone, however, is able to determine for himself whether a painting evokes feelings of comfort and happiness or irritability and repulsion.

"Beyond Craftsmanship," which belong to the "Weiyin" style of painting is the kind of work that engenders feelings of aesthetic pleasure. More outstandingly, this painting could be divided into a few dozen individual pieces that, when enlarged, are all works of art on their own in the "Weiyin" style.

"Beyond Craftsmanship" by H.H. Dorje Chang Buddha III (Master Wan Ko Yee)

This is a Chinese ink-and-wash painting of fine brushwork. However, it has a three-dimensional feeling suggestive of oil paintings. The first version of it was just a quick sketch made by H.H. Dorje Chang Buddha III (Master Wan Ko Yee) in Xi Shuang Ban Na, Yunnan Province. After he brought it back to Sichun, he completed the painting with fine, delicate, meticulous brushwork.

In order to achieve charming, harmonious coloring that provides a sense of comfort and warmth, He chose light brown as the main color. There is also fresh, clear water and misty air circling between the trees. As an additional embellishment, a few girls of the Bai nationality are making waves, chatting, and enjoying themselves as they wash clothes by the riverside. Cobblestones are naturally scattered in the water at different depths near the riverbank. The setting resembles an illusion or a place described in a poem. The local conditions and customs of Xi Shuang Ban Na, a small portion of a large territory full of beautiful mountains and rivers, seem to appear before eyes in this painting in fine brushwork.

"Xi Shuang Ban Na" by H.H. Dorje Chang Buddha III (Master Wan Ko Yee)

"The remotest corners of the earth are still part of the human world. Those who search for the truth in their dreams perceive themselves as wise, virtuous persons. To find out through which mountain pass you can leave this dusty world full of impediments, look for the cave hole with remnants of light, for that will lead to the Land of Peach Blossoms."

H.H. Dorje Chang Buddha III (Master Wan Ko Yee) wrote this poem containing a profound message in order to express the true meaning of this painting: Nowhere in this human realm can one find a place not of ordinary people, not of this mundane world. All born as human beings are in a dream of confusion. However, they usually believe they are seeking the truth. In reality, they are just indulging in self-appreciation and self-consolation. As such, they cannot block the great flow of impermanence. However, there is one opportunity whereby you can attain control over your own living and dying and be guaranteed to transcend this world of mortals. When you see the wondrously intriguing cave hole with remnants of light, know that is the source you are seeking. That is the paradise of immortals, the Land of Peach Blossoms, a holy land beyond this world.

The study of this painting is Western oil painting plus a mysterious technique that combines the dual skills of fine brushwork and freehand brushwork. From the harmonious unification of these elements, a holy land of immortals with an unusual landscape of inexhaustibly beauty comes into being. It is as if the viewer is taken to a palatial cave, to a world of no worries, and is looking over this wonderland that is beyond our world. The marvelous variations in color, light, and atmosphere are so enchanting that the viewer is carried away to that place, fascinated in the loveliness of it all. This painting belongs to the "Menglong" style of painting.

"A Hidden Wonderland" by H.H. Dorje Chang Buddha III (Master Wan Ko Yee)

Is this a painting in the style of impressionism or realism? Neither! That is because it expresses the scene in both spirit and form, manifesting the artistry of a master of colors. It is reminiscent of works by the world-renowned master of oil painting, Monet, who was the pre-eminent painter of water lilies in the world and who became an exemplary impressionist unsurpassed by any predecessor.

When we compare this painting of water lilies by H.H. Dorje Chang Buddha III (Master Wan Ko Yee) with whose if Monet, we immediately discern that this entire water lily scene is both impressionistic and realistic. Clarity is used to enhance the attractiveness of haziness. These are two different aspects, yet together they form a harmoniously rhythmic whole. The artist's solid skill are clearly visible from the brush touches that compose the flowers. The naturalness of the brushwork is exceptional. Bold, vigorous, adroit application of brush and colors mark this painting, vividly providing the viewer with an air of freshness and vitality.

Seasoned skills created the lotus leaves through thick patches of color applied upon lightly colored water. Moreover, different brushwork techniques created the contrasting qualities of realness and non-realness that constitute a charming, balanced whole.

This painting expresses adept yet unadorned artistry. Subtle, minute details are visible. The lotus leaves have an aged, dry, wrinkled appearance and steady coloring. As the following poem aptly states, "Pure lilies appear old, withered, and wrinkled. They exhibit gorgeous yet comforting redness; This is just the time when the colors of autumn, water, and sky harmonize; Highly elegant brushwork reveals the spirit of the painting."

"Old Leaves Exhibit Redness" by H.H. Dorje Chang Buddha III (Master Wan Ko Yee)

This painting of "Sunflowers" belongs to the "Thickly Piled Patches of Color" style. The entire painting vividly expresses the inner powers and conceptions underlying the artist's techniques. The work is simple, casual, and natural. The sunflowers, stems, leaves, vase, and table top fully reveal adeptness in the application of color patches and brushwork based on a magnanimous, unattached state of mind. Four different techniques were used to convey the Thickly Piled Patches of Color style, all of which show the skills of the artist in depicting this picturesque scene. Impressionism and realism are both incorporated within this work.

A small number of color patches form a charming image of the flowers. Smooth, vigorous, and natural strokes portray a scene of rare artistry. The sunflowers have an extremely interesting withered quality, even an insect-infested look, which leaves a lasting impression on the viewer.

The sunflower works of the great master of oil paintings, Vincent van Gogh, reached the pinnacle of art in the history of Western painting. Yet, when compared with those remarkable paintings of van Gogh, this sunflowers by H.H. Dorje Chang Buddha III (Master Wan Ko Yee) inspires great admiration, leaving the viewer with only one impression: artistry too beautiful to be duplicated, embodying both impressionism and realism, has come to this world through the "Thickly Piled Patches of Color" style.

"Sunflowers" by H.H. Dorje Chang Buddha III (Master Wan Ko Yee)

Where can you see these astonishing paintings? Where to see the art works created by the highest leader of Buddhism in the world today, H.H. Dorje Chang Buddha III (Master Wan Ko Yee)?

The H.H. Dorje Chang Buddha III Cultural and Art Museum 

The H.H. Dorje Chang Buddha III Cultural and Art Museum in Los Angeles County, California, U.S.A. (170 E. School St. Covina, CA 91723) is a completely new cultural and art museum located in a famous 114-year-old two-story historic building that has been redesigned and remodeled. The Museum formally opened on June 7, 2014. The grand opening ceremony was attended by a very large bustling crowd on that day. Important figures and dignitaries from various walks of life joined in the celebration. Seven U.S. Air Force bombers of the WWII era were specially dispatched to fly over the Museum in formation, leaving color cloud trails as an expression of congratulations. The Museum has a rich collection of beautiful ink-wash paintings, oil paintings, calligraphy, sculptures, and other forms of artistic treasures.

The Museum is proud to have collected a large quantity of paintings and calligraphic works, including western oil paintings, Chinese paintings, splash-ink paintings, and other creations of various artistic schools. The Museum also exhibits many color-painted tiles. Although the color, luster, and grain of these painted tiles can be compared to those of natural stones, they are actually even more beautiful than natural stones. The most amazing and breathtaking exhibits are a type of sculpture called Yun Sculpture. The mysterious and unique characteristics of these Yun sculptures are unprecedented in human history.

 All of the above-mentioned works of art were created by H.H. Dorje Chang Buddha III (Master Wan Ko Yee) and represent a tiny fraction of His overall accomplishments in thirty main categories. H.H. Dorje Chang Buddha III is the highest leader of Buddhism in the entire world and is the recipient of the 2010 World Peace Prize Top-Honor Prize.

 The H.H. Dorje Chang Buddha III Cultural and Art Museum is an independent non-profit organization under IRS 501C(3). H.H. Dorje Chang Buddha III (Master Wan Ko Yee) does not have any shares of ownership or property rights of the museum, nor does he take any position in the museum or participate in any operational management or decisions of the museum.

 

Reference:

International Art Museum of America (IAMA)
The H.H. Dorje Chang Buddha III Cultural and Art Museum

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